Look 03 · an edition of fifty

A display piece,
up close.

A look for sites built with Claude Code. Cast plaster you can press, a niche for everything that is chosen, one orange passage per screen. Fifty copies, then it is gone.

BD-03 The cast, in its cornerPlaster, paint

50editions
1painted passage per screen
2materials, cast and niche

What is in it

A cast, a niche, a rulebook.

Six parts, listed the way a label lists a catalogue. Every one is drawn for this look and ships only with it.

01The cast

Raised is a piece of cast plaster set down on the floor under one skylight: matte, a faint mottle, one soft shadow falling down and to the left. Every key, every bar, every card.

02The niche

Recessed is the inside corner of a cast cube: two walls, a floor, a seam. Every field, the current link, the chosen plan, the open question sits in one.

03Plinth Cast

A hairline geometric drawn for the look, in two cuts, tracked wide like a title on a sleeve. Headlines, the mark and prices only. The body is a monospace, in a catalogue voice.

04The passage

One painted passage per screen, cast into the object. It marks the single most important thing in view and nothing else.

05Twelve casts

Twelve icons, each a small cast object with one shaded face: arch, plinth, corner, fragment, dome, column and so on. None is a variation of another.

06Set down

Nothing fades in. Headlines are set down word by word, pieces land and their shadow catches up a beat later, then everything holds perfectly still.

The room

Two materials, one light.

Raised

The cast

Matte plaster with a faint mottle. Hover lifts it off the floor; press sets it into the niche.

BD-03.1 The castPlaster

Recessed

The niche

The inside corner of a cast cube. Anything chosen, active or open sits in one. State is depth, never a colour.

BD-03.2 The paintOrange, grey

Fragments

Six pieces, one break each.

The gallery tiles. Broken casts with paint poured into the break. Use them for work, products or presets; the caption carries the number and the name.

Editions

Fifty, then retired.

Every look is sold fifty times and then archived for good. Buy one, or bring the rack home in threes and fives.

One look

$125one of fifty

  • Plinth, the whole folder
  • Plinth Cast, both cuts
  • Twelve casts, the film, the rules
  • Use on one site
Get Plinth

BD-03 PlinthEdition 12 of 50

Three looks

$300$100 a look

  • Any three from the rack
  • Three original faces
  • Three films, thirty-six casts
  • Use on three sites
Get three

BD-03 + 2 Any threeChosen

Five looks

$425$85 a look

  • Any five from the rack
  • Five original faces
  • Five films, sixty casts
  • Use on five sites
Get five

BD-03 + 4 Any fiveThe best price

From across the room it is a display piece. Up close you see the chip, and that is the part you keep.
The first buyer of Plinth·Edition 1 of 50

Questions

Asked before.

The open one sits in the niche. Everything else waits on the floor.

What do I get for $125?

One folder. The rules Claude obeys, the stylesheet that is the law, the sections and components it composes from, Plinth Cast in two cuts, twelve casts, the film, the kit sheet and this demo. One licence key, one site.

What happens when the fifty are gone?

Plinth is retired and never reissued. The fifty sites that wear it keep wearing it. A new look takes its place on the rack.

Can I change the orange?

No. One accent, one hit per screen, the paint in the cast. If you need a second colour you need a different look.

Can I use Plinth Cast on something else?

No. It is bundled with the look and licensed for sites that wear it. It is never sold apart.

Does it come in dark?

Light is native. Dark is the same room after hours, deep green plaster, on one attribute. The toggle in the bar shows you.

Edition 12 of 50

Take the piece home.

One folder, one prompt, one site that looks like nothing else on the rack.

Write to us

Ask for a key.

Tell us the site it is for. We send the key and the folder the same day.