Salt Glaze

Everything on the page sits at a depth. One cobalt, dipped four times, and the porcelain it was cut from: one scale, nothing between the stops, nothing decorated. The interface is stoneware. Raised is glazed: a hard gloss, the glaze gathering darker at the foot, one specular on top. Recessed is bisque, the matte well it sits in. Anything chosen sinks into bisque. One cobalt per screen, the deepest tile of the dip.

Control Meter for display, the condensed rounded monoline drawn for Bandana, bundled with the look and shared with Ground Control and Slow Burn. Figtree for reading. Twelve dipped icons: solid silhouettes, no strokes, each one cut by its own glaze line at its own depth. Things are drawn up out of the glaze, and headline words come up cobalt and drain to ink.

It refuses: a fifth depth, a third material, a gradient on text, a warm grey, a flat button, a drop shadow standing in for depth, a centred hero, an icon that is a variation of another, and a paragraph in Control Meter.